Kapustin’s piano etudes, in particular, are a considerable contribution to standard etude repertoire that remains understudied. Kapustin’s etudes are innovative. Sheet Music – £ – Kapustin was trained in the great Russian piano tradition and his style is a fascinating and distinctive blend of classical and jazz styles. Abstract (summary): Nicholai Kapustin (), a Ukrainian composer whose music amalgamates the Western classical tradition with jazz.
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Holy Cow for piano solo Op. With the positive reception of Kapustin’s music of late, public awareness of his eclectic and original compositional style—the musical marriage of classical formal structures kapuztin jazz-based melodic and rhythmic idioms within the Russian pianistic tradition—has greatly increased.
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Two-movement Concerto for orchestra Op.
Nocturne in G major for piano and orchestra Op. Concert for two pianos and percussion Op. Piano Quintet Op.
Intermezzo for piano and orchestra Op. Three Pieces for orchestra Op.
Freeway for piano solo Op. Dialogue for solo piano Op. Four Pieces for instrumental ensemble Op. Humoresque for piano Op. Paraphrase on Dizzy Gillespie’s “Manteca” for two pianos, four hands Op. Variations for piano and big-band Op.
Nikolaj Girshevich Kapustin – Concert Etudes (8) Op. 40 Piano
Two Etude-like Trinkets for piano Op. Chorale and Fugue for orchestra Op. Views Read Edit View history. Fantasia for jazz quartet Op. Elegy for orchestra Op. Ballad for piano Op. The lack of thorough research and related literature on his works, kapuxtin with the difficulty of obtaining his compositions in the West, make this study relevant and a pertinent start to shed more light on the composer and make his works more approachable for contemporary pianists and jazz connoisseurs alike.
Minuet for big-band Op. Scherzo for piano Op.
Day-Break “Sunrise” for orchestra Op. Berceuse for piano Op. Concert Rhapsody for piano and orchestra Op.
Nearly Waltz for cello and piano Op. Concert for violin, piano and string orchestra Op. Kapustin’s etudes are innovative and noteworthy in that his fusion of classical form with modern idioms of jazz and rock, combined with the technical demands expected of a standard study, have not been previously characteristic of the genre.
Toccata for piano and orchestra Op. Concerto for eleven instruments Op. The recording is characteristic of Hyperion’s piano sound at its considerable best. Three Etudes for piano No. June Total duration: Sonata for cello and piano No.
Concert Etudes (8) Op. 40 Piano
Trio for flute, cello and piano Op. Violin Concerto Op.
Archived from the original on Suite for cello solo Op.